Bittersweet Memories: Teri’s Archive

Introduction: I’m not very good at poetry. It isn’t my medium; meter and rhyme don’t come naturally to me. Even more than my other writing, poetry feels like something given to me rather than something I create; at best I’m a transcriptionist for something lurking in my dreams. Even then I’m not very good at it, but it’s a profoundly moving experience, something magical and almost divine.

In the evening of Halloween 2004, I broke three months of writer’s block. I can tell you this day exactly because I spent the day with a girl named Teri, and for the next two months I gave her credit for every word that came. It was beautiful; I woke up almost every day with something new, something wonderful, some new and interesting turn of phrase to consider. The best part was the poetry, dozens of pages every week, scrawled in that fuzzy half-awareness between slumber and first light.

I believed it was all from her, and I wanted very badly to know her better.

Ultimately that didn’t work out. We haven’t spoken in years.

She is not the girl I dreamed, and I am not a kind of boy she understands. I burned most of it, trying to find a suitable goodbye to my fantasy. Some of it survived on my old website, but for quite a while I wasn’t sure if I should move it here. I’m proud of it, in my own small way, but it’s also a little badge of shame; it’s a testament of delusion as much as any skill.

Ultimately I think it’s better to be truthful.

Letters from a Young Writer, Part 3

Back to Part 2

im willing to lern im only thirteen but i want to be a great author more than anything

I spent a lot of time wondering if I should write back. My day job cuts into my writing time enough as is, and I’m not really sure I believe that she wants to improve. Particularly in fan communities, many writers will praise each other and enjoy being praised, even if their work simply doesn’t measure up. Writing is less an end and more a means for growing closer. They write for community, because humans are storytellers by nature, because they enjoy sitting around the virtual campfire.

Basically it’s a circle-jerk of the ego.

It’s too bad that I’ve never really been friendly enough for that sort of thing.

Letters from a Young Writer, Part 1

Or, more realistically,
“i met u on gaia and love ur work”

This is a story about some email I got a few months ago, after I’d handed the link to Graveyard to a few people. The first one looked something like this (names excised to protect the dim):

Subject: i met u on gaia and love ur work
hi, i met u on gaia im g——— or on aim m————
after reading that link u sent me “graveyard” i really liked ur wrigting so i searched u on google and thats how i found ur site.
do u think u can help me with my writing?

Usually I’m thrilled when developing writers come to me and ask for some personal mentoring. I enjoy the opportunity to watch them develop and grow into themselves. I get to see myself make a difference, sometimes. One writer even told me that he hears me correcting him as he works. It’s quite a compliment, really, a vote of confidence, a reminder that someone out there thinks I know what I’m doing, and that I’m doing it well. I don’t get very many.

Sometimes I’m less enthusiastic. In general I like to believe that people with the benefits of computers and modern public education, for all the faults in both, ought to know the basic fundamentals of English usage. People who self-identify as writers, particularly, should have the discipline to avoid being outright idiots in that regard. I like to believe that writers coming to me for help are competent, or at least willing to meet me halfway and avoid wasting my time.

I tend to get a bit irritable when people work to undermine this basic faith.

On the other hand, I do try to give people the benefit of a doubt. As frustrating as they can be, the would-be writers who don’t grasp the fundamentals need help the most. A well-turned sentence can improve a good impression, but subliterate writing can make such a bad impression that nothing else will matter. My office regularly throws out résumés, unread, for laughable cover letters.

Part of me believes in salvation from ignorance and redemption from stupidity. Part of me believes that the effort is well-spent, that they really do want to improve. Part of me believes that, even if I don’t see any results, something I’ve said might click, a year or two later, and that I might make some small and important change.

Most of me knows that I’m a dreamer, but I still like to believe. It seems better than the alternative.

There’s plenty of time for mockery if things don’t work out.

Forward to Part 2

DreamFever

For Anne and Trece and Tanko, who brought me to YaoiCon. And for Kez, who drop-kicked me into their hands to begin with.

Somewhere out on the distant, fuzzy edges of the world, Tybalt, Prince of Cats, whose subjects were once as gods and have never forgotten, was begging for a bite of fruit. He made sad kitten faces up at the tall, delightfully boyish girl who held him pinned to the sand, kissing at her fingertips when she finally pressed the crisp white wedge of peach-flesh between his lips. She settled against him, letting his arm curl across the small of her back. They fed each other, stopping now and again to kiss and share the sweet, delicate aftertastes that lingered on their lips.

She kissed him a little harder, pressing her tongue against his own, sliding it along his smooth, pointed teeth. Then she was laughing and teasing, gone in an instant, running down the beach until he ran her down, bringing her to the sand and holding her as though he wished never to let her go.
Cool surf washed up around them, making the black silk of her dress gleam wet against her skin, like India ink against the finest porcelain. She kissed him again, scratching behind his ear, always amazed by the smooth, perfect blend of sleek black cat and golden-skinned youth. He closed his eyes, purring his contentment to her, and the world faded away.

The kisses felt different when the world returned, as light and timid as feather touches. Tybalt found himself in his bath, cradling a lithe little creature, not so much unlike himself. His name was Adam, he remembered, some priceless gift from human folly. His hair was white and pure as milk, and his eyes were sparkling, cobalt blue, bright and full of endless, perfect love. Tybalt smiled and held his subject tightly, pressing a kiss between his ears, remembering those early times. First like a child and then like a man, Adam had learned each day a new saintly virtue, and each night a sweet and secret sin. Most of all, Tybalt remembered the way Adam loved to snuggle close, sliding his naked, perfect skin against his prince’s own, first in innocence, then in desire. But then the angels had taken him away.

The angels had taken him away.

He bolted up in bed, panting heavily as his heart raced to bring him out of slumber. His sheets were damp with sweat, and no one slept beside him in the darkness. “Only a dream,” he breathed, over and over again, trying to calm himself. Adam had been lost to him for half of a thousand years, like the girl whose name he could still not bear to speak. The realization settled in, curling its icy coils deep in the pit of his stomach, and his eyes narrowed to slits. His roar echoed in the empty halls.
What bothers Tybalt this time? Read more to find out.

A Dream of Black and White

Sometimes when I’m sleeping, a girl comes to share my dreams. She’s very slender, only gently curved. Her skin is very soft, milky-white, and she offers me an indulgent little smile as she lies there, on her belly, like a pearl against the sheets.

I count her vertabrae, kissing up her spine, to her neck, along the curve of her jaw, finally to her ear. In the morning I’ll still taste her skin upon my lips. I tell her this, and it makes her laugh, makes her turn and nuzzle back at me before she settles down again, her breathing slow and deep, calm and even.

That is when I begin to write. There isn’t much form, or very much plot, only a thousand obscene fantasies, the texts of dreams that have come without her, kisses and caresses, licks and silk and collars, love and sodomy and cuffs and hard, careless fucking. They spill out, a torrent of words, just a million strokes of dark, elemental blackness against her skin.

I suppose they are good, these uncertain transcriptions, but somehow I do not feel them; in dream-logic they are not yet real, written in ink but not in flesh. Soon there is no more skin to cover, and she sits, bathed in the candlelight, to see what I have done. She reads, silently mouthing the words back to me. Her eyes glitter with approval, and the words crystalize against her skin. Made flesh now, they move with her, move over muscle and bone as she takes me into her arms, and it is there that they become complete.